New EP — Out Now · 24 April 2026
New Yolk
Six tracks. Pure gold. Rizzy Bizzy's most focused and ferocious work yet — out now.
New EP — Out Now · 24 April 2026
Six tracks. Pure gold. Rizzy Bizzy's most focused and ferocious work yet — out now.
New Yolk is Rizzy Bizzy distilled to their rawest essence — six tracks that crack open and pour. Conceived quickly, recorded with intention, and released into the world without compromise. It sounds like something being born under pressure.
Rizzy Bizzy came together in 2010, channelling a shared obsession with rhythm, texture, and sound into their first recordings. The record 'pirát hardkóru' comes out as a first ever EP followed with 'mckittlitz'. The year brought two releases in quick succession — raw, confident, and entirely self-made. Word spread fast through local circuits and online communities hungry for something different.
Three years on, Rizzy Bizzy returned with a record that showed real growth - WTF?!. The production was sharper, the ideas bolder. The 2013 release cemented a devoted following and pointed clearly toward where the band were heading — a sound that was heavier, stranger, and more deliberately their own.
After more than a decade carving their name, Rizzy Bizzy return with New Yolk — six tracks released on 24 April 2026. Compact, purposeful, and uncompromising, the EP distils everything the band have learned into its shortest and most direct statement yet. Something cracks open. Something pours out.
Jorge Libertad & L Hudy of Rizzy Bizzy sat down with A. Holex from Music Melody Makers for an in-depth conversation about the making of New Yolk: the creative breakthroughs, the frustrations, and what it means to compress everything you know into just six tracks.
What does Rizzy Bizzy mean to you both personally, and when did you start the project?
L Hudy —
A long time ago, and Rizzy Bizzy are clear proof that the Universe works.
Jorge Libertad —
The initial idea came to me back in 2010 when I was messing around with some tunes that did not fit any other project I was involved in. I guess we came with this weird name together somehow. It was a heartfelt moment.
When it comes to songwriting and production, how do you divide the work between the two of you?
L Hudy —
I come up with an idea, and then I do nothing.... I just sit back and criticize.
Jorge Libertad —
Yeah, he just messes with one of his 20 guitars and makes noises. I am there just to give it a direction. :)
How has your collaborative dynamic evolved from your previous projects to this new EP?
Jorge Libertad —
I started on my own 13 years ago and now I've become a bit too lazy to play the instruments — really (just kidding) — so L Hudy does most of the guitar craft and I just mess around with him and with it.
L Hudy —
In any way, each and every project is a TABULA RASA.
What happens when you two completely disagree on a creative decision in the studio?
L Hudy —
We fight.
Jorge Libertad —
We fight with honor! And with music ideas and proofs.
The Recording Process
What was the initial spark or core concept that kicked off the recording sessions for this new release?
L Hudy —
After a long time without seeing each other, we got together and just recorded Fluid of Life in a single day.
Jorge Libertad —
I started on my own. Coming back home from New York I recorded the song Jenesis 04:29, which is a kind of my personal transformation song.
You're talking about a personal transformation. What happened, if you want to talk about it?
Jorge Libertad —
Just to give you a tiny hindsight — the last two years haven't been the easiest for me personally. Everything I'd known shattered, and when I thought it was over it accelerated and almost broke me. And of course I played my part, not knowing something I don't see is ongoing.
Can you share a specific "happy accident" or unexpected challenge that ended up shaping one of the tracks?
L Hudy —
Everything is a coincidence, and everything happens by itself.
Jorge Libertad —
Most of the songs are happy accidents. Or just accidents.
Did you set any specific rules or limitations in the studio this time around?
L Hudy —
My equipment is top-notch, but I'm still missing the skill..... and that's what sets the limits.
Jorge Libertad —
Nope. We just wanted to make it not too serious. But this time we failed.
Which track took the longest to crack, and which one came together in a matter of hours?
L Hudy —
Fluid of Life was instant. Man of Steal was a pain in the ass....
Jorge Libertad —
For me the toughest to crack was Sound Eaters. I first came up with the song riff 20 years ago and couldn't figure out how to funk my way through it... I guess I finally did.
The Sound and Meaning
If you had to describe the vibe of this EP using a movie genre or a specific location, what would it be?
L Hudy —
Garage oldschool rock.
Jorge Libertad —
I'd say it is something like an indie pop album with different genre influences.
Is there a particular song on the EP that pushed you both out of your comfort zones the most?
L Hudy —
Every track where I play and where I had to sing the melody.
Jorge Libertad —
All of them. For the first time in my life my lyrics actually mean something and have a story to that.
What is the running theme or emotion you hope listeners absorb from start to finish?
L Hudy —
It's up to them.
Jorge Libertad —
I hope they absorb all the emotions.
The Future
Now that this record is out in the wild, does it feel like a closed chapter or a stepping stone to your next sound?
L Hudy —
I would like to add some tracks.... like a B side.
Jorge Libertad —
Yeah, definitely. There are some B's but I do not really know when we release them. We'll fight about it.
Will Rizzy Bizzy remain strictly a studio project, or are there any secretive plans to bring these songs to a live stage?
L Hudy —
If someone started jingling gold coins, we'd get a few more hired guns and play for a couple of minutes..... it would be really expensive though.
Jorge Libertad —
Never say never. But for now we stay in the studio.
